Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Monday, April 15, 2013
Visual Diary: Loves of a Blonde/ Lásky jedné plavovlásky (1965) Miloš Forman
By Olivia Maria Hărşan Optic white, optic black. Forman's powerful imagery from a very early stage in his career.