Bosnian filmmaker, Danis Tanović blurs the line between realism as a genre and documentary filmmaking resulting in a highly innovative approach well worthy of the attention it received at the Berlinale earlier this year.
Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
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