Birds, Orphans and Fools is just one example taken from the artistic realm of Czechoslovakia's retaliation against the Soviet invasion that marked the end of the Prague Spring. The characters in film portray a childish philosophy to living - foolish and oblivious to the cruelty of the society they inhibit. The colour scheme of the mise-en-scène employs a vintage Type-C print quality where all the warmer hues - reds and yellows - dominate attention from the viewer.
Again my obsession with the Slovak actress Magdaléna Vášáryová is immediately noticed in this post. Her ability to engage with the camera is exceptional - she owns the screen.