Giulietta Masina (Federico Fellini's wife) is the protagonist of Juraj Jakubisko's adaptation of the Brother's Grimm short story Mother Hulda, published in 1812. Giulietta is mesmerising as expected and the costumes, true to Czech perfection, are flawless.
Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Wednesday, November 20, 2013
Visual Diary: The Feather Fairy/ Perinbaba (1985) Juraj Jakubisko
By Olivia Maria Hărşan
Giulietta Masina (Federico Fellini's wife) is the protagonist of Juraj Jakubisko's adaptation of the Brother's Grimm short story Mother Hulda, published in 1812. Giulietta is mesmerising as expected and the costumes, true to Czech perfection, are flawless.
Giulietta Masina (Federico Fellini's wife) is the protagonist of Juraj Jakubisko's adaptation of the Brother's Grimm short story Mother Hulda, published in 1812. Giulietta is mesmerising as expected and the costumes, true to Czech perfection, are flawless.
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