Andrzej Wajda, a Polish director with style and an apparent love for hats, channels Beatnik vibes by combining a captain's cap with an aviator jacket and later migrating to a cossack hat. Sure these garments were popular in the 1960s, particularly in the colder parts of Eastern Europe, but I like to imagine that he graced his sets à la Hitchcock when he wore his suits.
Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Friday, April 26, 2013
Fashion in Film: Andrzej Wajda
By Olivia Maria Hărşan
Andrzej Wajda, a Polish director with style and an apparent love for hats, channels Beatnik vibes by combining a captain's cap with an aviator jacket and later migrating to a cossack hat. Sure these garments were popular in the 1960s, particularly in the colder parts of Eastern Europe, but I like to imagine that he graced his sets à la Hitchcock when he wore his suits.
Andrzej Wajda, a Polish director with style and an apparent love for hats, channels Beatnik vibes by combining a captain's cap with an aviator jacket and later migrating to a cossack hat. Sure these garments were popular in the 1960s, particularly in the colder parts of Eastern Europe, but I like to imagine that he graced his sets à la Hitchcock when he wore his suits.
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