I have written on Radu Muntean's Tuesday, After Christmas/ Marţi, după Crăciun (2010) before but I thought it would be interesting to mention it again as it is Christmas Eve and officially, Romanian Christmas on this very day. The film is the story of an affair and its repercussions and, in fact, does not have much to do with Christmas itself. It is more about the symbolism that is at play - Christmas is at the end of the year so it stands for the finishing off of things or bringing them to an end. The protagonist, Paul (Mimi Branescu) brings his marriage to an end at Christmas and his story is executed in flawless realist style. Tuesday, After Christmas is easily one of the best achievements of Romanian cinema.
Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Monday, December 24, 2012
A Communist Past: A Very Married Christmas
By Olivia Maria Hărşan
I have written on Radu Muntean's Tuesday, After Christmas/ Marţi, după Crăciun (2010) before but I thought it would be interesting to mention it again as it is Christmas Eve and officially, Romanian Christmas on this very day. The film is the story of an affair and its repercussions and, in fact, does not have much to do with Christmas itself. It is more about the symbolism that is at play - Christmas is at the end of the year so it stands for the finishing off of things or bringing them to an end. The protagonist, Paul (Mimi Branescu) brings his marriage to an end at Christmas and his story is executed in flawless realist style. Tuesday, After Christmas is easily one of the best achievements of Romanian cinema.
I have written on Radu Muntean's Tuesday, After Christmas/ Marţi, după Crăciun (2010) before but I thought it would be interesting to mention it again as it is Christmas Eve and officially, Romanian Christmas on this very day. The film is the story of an affair and its repercussions and, in fact, does not have much to do with Christmas itself. It is more about the symbolism that is at play - Christmas is at the end of the year so it stands for the finishing off of things or bringing them to an end. The protagonist, Paul (Mimi Branescu) brings his marriage to an end at Christmas and his story is executed in flawless realist style. Tuesday, After Christmas is easily one of the best achievements of Romanian cinema.