By Olivia Maria Hărşan
Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Monday, November 10, 2014
Tuesday, November 4, 2014
Sunday, November 2, 2014
Friday, October 10, 2014
Wednesday, October 1, 2014
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