The Cinema of Eastern Europe

Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.

Friday, March 29, 2013

Film Review: Solaris for Rabelais Magazine

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By Olivia Maria Hărşan An article I wrote for the La Trobe University magazine, Rabelais. Published in the 2013 second edition. ...
Wednesday, March 27, 2013

Women in Film: Nevéna Kókanova

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By Olivia Maria Hărşan Known as the 'First Lady of Bulgarian Cinema',  Nevéna Kókanova  began acting when she was 18 at the Yambol...
Friday, March 22, 2013

Fashion in Film: Zbigniew Cybulski

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By Olivia Maria Hărşan The James Dean of Polish Cinema "It is a well-known anecdote told by Wajda that Cybulski came to the set on...
Wednesday, March 20, 2013

Women in Film: Anca Damian

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By Olivia Maria Hărşan Anca Damian is a Romanian filmmaker born in 1962. She has been working in cinema for the past three decades but has...
Tuesday, March 12, 2013

Visual Diary: Torrential Existentialism

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By Olivia Maria Hărşan Béla Tarr's 'Damnation' (1988) Hungarian director  Béla Tarr is an auteur, film poet, eccentric and...
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The Cinema of Eastern Europe
I am a Cinema Studies (MA) student interested in the strange and wonderful films of Eastern Europe.
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