Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Sunday, August 30, 2015
Visual Diary: Seven Invisible Men/ Septyni nematomi žmonės (2005) Šarūnas Bartas
By Olivia Maria Hărşan
Saturday, August 1, 2015
Film Still of the Month: The Second November/ Nëntori i Dytë (1982) Viktor Gjika
By Olivia Maria Hărşan
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