Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Tuesday, November 25, 2014
Visual Diary: Terribly Sad Princesses/ Šíleně smutná princezna (1968) Josef Kemr
By Olivia Maria Hărşan
Monday, November 17, 2014
Fashion in Film: Petra Černocká
By Olivia Maria Hărşan
Still from Saxana (1972) Václav Vorlícek.
I'm loving the goth outfit - disco perm combo.
Petra looking gorgeous and photogenic.
Another still from Saxana.
That Dress!
I'm not sure what to call this garment (maybe a dress?) but it is swingin'.
A coloured-in B&W portrait of Petra.
Monday, November 10, 2014
Tuesday, November 4, 2014
Visual Diary: Three Wishes for Cinderella/ Tři oříšky pro Popelku (1973) Václav Vorlíček
By Olivia Maria Hărşan
Czechoslovak/ East German fairy-tale film
Czechoslovak/ East German fairy-tale film
Sunday, November 2, 2014
Film Still of the Month: Tame/ Krotká (1969) Stanislav Barbaras
By Olivia Maria Hărşan
Czechoslovak tv movie
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