Eastern European cinema is a diverse subject that has been scarcely regarded, especially compared to other world cinemas. From screen analysis to personal accounts, this blog is a meditation on Eastern European cultural values with emphasis on totalitarian iconography and other clandestine ciphers that have become motifs across the films of Romania, Hungary, Bulgaria, Poland, Russia, Czech Republic and East Germany.
Friday, October 10, 2014
Visual Diary: Before Tonight is Over/ Kým sa skončí táto noc (1966) Peter Solan
By Olivia Maria Hărşan
